boté

Bodies

Skin, muscle, pores and poses. The body as landscape, as performance, and as something we carry for others.

No. 03 The Most Vulnerable: He shows you his biceps all day. The throat, only once.
No. 05 Nothing to See Here: Nothing to see here. Except, of course, everything.
No. 06 Dancer I: First reach. Ask permission later.
No. 08 Dancer II: He made a crown of his own arms. Nobody else was offering.
No. 12 Dancer III: Every movement is a decision the body makes before the mind agrees.
No. 13 Please Look Good from the Front: All this, and he still checks the mirror from the front.
No. 14 Thick Skin: Thick skin, they told him. Nobody mentioned what runs underneath.
No. 15 Flawless: Flawless, until you zoom in. We zoomed in. Still beautiful.
No. 18 Turn Around: Turn around. Let someone else watch your back for once.
No. 19 No Hard Feelings: The fist is up. The feelings, apparently, are down.
No. 20 Carry On: Shoulders back, chin up, carry on. Feelings can wait until Tuesday.
No. 22 Probably a B: He would rate himself a B. We think he is being modest.
No. 24 Masculinity = Vulnerability: Do the maths. It took him thirty years to get the same result.
No. 25 Raise Your Hand: Raise your hand if you have ever been strong for everyone else.
No. 26 Proportions: Everything in proportion. Except how much he overthinks.
No. 28 No Sweat: No sweat, he said. Dripping.
No. 31 Possessed: Possessed by something stronger than good manners.
No. 32 Look. At. Me.: Three words, no softening. He means every one of them.
No. 34 The Pit: Nobody frames the armpit. So we did.
No. 35 Hello, Peter: Hello, Peter. His shadow: always one step behind and slightly bigger.
No. 37 Backbone: Hands on hips, spine straight. Backbone is a posture before it is a virtue.
No. 42 Victory: One fist up. Nobody asked what he won.
No. 50 Falling: Head back, eyes up. Falling for someone looks a lot like this.
No. 52 Jump I: The first leap: all intention, no plan.
No. 53 Tied Up: Tied up at the moment. Please leave a message.
No. 55 Loose Ends: He could step out of it. He just has not decided to.
No. 56 Jump II: Higher now, and less afraid of the landing.
No. 57 Jump III: Halfway up, halfway gone.
No. 58 Jump IV: Arms open, as if the air owed him something.
No. 60 Stretch: Stretch. The cheapest therapy there is.
No. 61 Jump V: The last leap. He is not coming down.
No. 62 L: One arm makes the letter. You choose the word.
No. 63 Sunny Boy: He brings the sun with him and keeps it on his skin.
No. 64 Mornings: Five more minutes. The world can ask later.
No. 66 Curves: Who said men cannot have curves?
No. 70 Slow Burn: Patience, in the shape of a man.
No. 78 Soft Fur: Soft fur, hard light. Hugs available on request.
No. 80 Morning After: He woke up like this. Mostly.
No. 82 Step by Step: Every step is a small leap of faith.
No. 83 Calves: The part that carries everything. Rarely gets a compliment.
No. 85 Silver Fox: Grey hair, no apology. The fox knows.
No. 86 Aging Like Good Wine: Better with every year. Ask for the vintage.
No. 87 Armour: Built like a shield. Still, something gets through.
No. 91 Too Much?: Too much? he asked. Nobody said yes.
No. 116 Curly: A curl of hair, a curl of muscle.
No. 118 Soon, Christmas: Ho, ho, hold on. That is not the usual outfit.
No. 124 Hug Me: He holds himself where he wishes someone else would.
No. 126 Bound: Rope, sweat, silence.
No. 128 Casual Monday: Casual Monday: the dress code ended at the ankles.
No. 134 Pose: Strike a pose. Hold it. Applause optional.

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The first prints arrive early 2027.

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